Description
“Front, eyes, cheekbones, nose, mouth, chin, gave rise to the form of combinations, including the magnificent extravagance, only matched the serene rigorous reporting” and talking André Lhote of primitive art he loved so much, in his “Treatise on the Figure” in 1950. Collection of a painter in which the moving object alongside the masterpiece and the piece that inspired the artist. The Montparnasse studio, creative place in which objects, placed, hung, thrown formed new combinations that inspired the painter, created the work.